Nasr City, Egypt
Laser-cut Fabriano and tracing paper, plexiglass mirror, laser-engraved wooden boards. Coptic binding with leather wrappings connected to seven small books.
Large book 4.5″ diameter x 3.5″, 2″ diameter x 0.75″ miniature accordion books
2019. Edition of 30.
4.5″ diameter x 3.5″; thirty sections with four folios. 2″ diameter x 0.75″ miniature accordion books. Materials: laser-cut Fabriano and tracing paper, plexiglass mirror, laser-engraved wooden boards. Coptic binding with leather wrappings connected to seven small books, inkjet printed text, signed, numbered, and dated by the artist.
Inception is inspired by stories and journeys of the immigrants and refugees. It is a bilingual codex in English and Arabic. The book is based on the twelfth-century Persian verse poem “The Conference of the Birds” written by Farid Aldin Al-Attar. The poem is about the search for truth and integrity, which is parallel to the immigrants and refugee’s quest to re-discover themselves.
Birds meet to begin searching for their perfect king. But to find him, they need to start a difficult journey. The birds show their doubts and fears to their lead, the hoopoe. He encouraged and supported the birds to be confident, grateful, and honest. The birds start a wondrous journey that only 30 of them complete, they eventually recognize that their king is each of them and all of them.
The English text is adapted from Afkham Darbandi translation. The Arabic text is adapted from Badee Mohamed Gomaa Arabic translation “Manteq Al Tayr”. The bird images represented are from medieval Islamic artwork. Arabic Calligraphy is done by Abdul Karim and Sabri.
Inception was made as part of Swarthmore College’s Friends, Peace, and Sanctuary project. Major support for Friends, Peace, and Sanctuary has been provided by The Pew Center for Arts & Heritage with additional support from Swarthmore College Libraries, the Lang Center for Civic and Social Responsibility, the William J. Cooper Foundation, and the Andrew W. Mellon Foundation.